2022 to 2023
Alt.VFX
Production Assistant
Supported the VFX Producer and coordinators with administrative tasks.
Updated VFX shot databases & budgets based on latest information.
Managed the award nomination and submission process.
2021 to 2022
Leading Image Resource Centre
Production Manager
Oversaw the processing and printing of high volume photography (over 100+ heads per client) across a diverse product range.
Created and executed on daily, weekly, monthly and annual production schedules.
Strove to reduce expenses and increase productivity across all product lines - particularly through cost-saving technology.
Trained and coached production staff on procedures and policies.
Communicated any problems or obstacles to senior management and branch representatives clearly and ahead of time.
Monitored productivity rates, standards and quality control - and produced regularly reporting to senior management.
Oversaw the maintenance of production equipment.
Implemented office safety, health, environment and quality requirements.
Project leader for the 2021 Brand Refresh and CRM implementation.
2019 to 2021
Special Broadcasting Service (SBS)
Production Coordinator (Marketing)
Managed the production of promotions, social media assets, and marketing campaigns from "brief to broadcast" - covering the SBS Main Channel, SBS Food & News and Current Affair brands.
Coordinated the production of shoots - including booking crew, studios, & production equipment; organising catering; completing risk assessments & production reports.
Managed human and production resources (promo producers, designers, audio engineers, mastering editors) to complete work across multiple projects simultaneously.
Produced regular reporting to analyse resource use and expenditures.
Engagement of freelance employees - including contract drafting, insurance auditing, and on-boarding.
Key Campaigns Include: Mardi Gras 2020, Life Drawing Live, Filthy Rich and Homeless S3, Tour De France 2020, The Cook Up with Adam Liaw S1, News and Current Affairs Publicity refresh, Shadowplay.
2019
Australian Broadcasting Corporation (ABC)
Digital Production Coordinator (Commercial)
Coordinated the delivery of program content to digital distribution platforms.
Oversaw the ingestion, transcode, and management of content in the Media Asset Management System.
Created branding and design assets for key intellectual properties bespoke to platform specifications.
2017 to 2019
Shark Island Productions
Shark Island Productions is an award-winning documentary film production company and social impact philanthropic located in Sydney, Australia. Formed in 2001 by AFI Award-winning producer and director Ian Darling, Shark Island Productions creates extensive education, outreach and community engagement campaigns with its films.
Assistant Editor
Collaborated in the editing of feature films and short projects - including the AACTA Nominated Documentaries The Final Quarter and Life After the Oasis (Sydney Film Festival 2019).
Conducted research and analysis of historical events to shape the construction of the narrative.
Administrative support and troubleshooting related to production operations.
Design of promotional items, titles, credits, and motion graphics.
Documentary filmmaker Ian Darling AO re-examines the final three years of Sydney Swans footballer Adam Goodes' playing career. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation surrounding race that took place over this period.
The Final Quarter was selected into the 2019 Sydney Film Festival - and was announced as one of the first 25 films.
10 years after the release of THE OASIS documentary, Major Paul Moulds travels around the state in search of 'his kids', the homeless young people from Sydney's inner city refuge, exploring how they have fared over the past decade in the wider world beyond his care.
In transit between various lives he discusses and evaluates various aspects of the state and federal social welfare system – what has served the young people well and what has failed them.
2019 Sydney Film Festival
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2019 Sydney Film Festival |
2017 to 2018
Spectre Studios
Spectre Studios designs virtual reality experiences for feature films, gaming markets, and corporate solutions. Through their work, Spectre captures unique life stories, tackles social and personal issues, and shines a light on underrepresented areas of humanity. Since 2018, Spectre also offers services in motion capture, data capture, and XR film experiences.
Production Assistant
Production support on Atmosfear VR Shoot & War-Torn VR Experience Shoot.
Booth support at ScreenNSW 360Vision Conference at Carriageworks.
Fundraising Development & Social Media Management for “War-Torn VR” Project.
HTC VIVE Commercial (2017).
OPTUS Connect5 Short Film Contest Commercial (2017).
2017
Crow Crow Productions
Crow Crow Productions is an independent production company that focuses on the development of new Australian film and theatre works. The company has it roots in regional Australia and its major goals is to assists regional artists in bridging the gap between the creative opportunities available for artists in rural areas and those in metropolitan areas.
Production & Social Media Assistant
Script analysis for major characters. Report on dramaturgical elements for Director.
Research and report on copyright & rights information for music – including contacting APRA.
Organising production meetings with HOD, Crew & Cast, take minutes, and report on outcomes.
Managing on-set extras – including obtaining releases, NDA’s and code of conduct forms.
Managing obligations with key financial sponsors and partners – including publicity and set visits.
Content development and management (photography + grading)
Managing paid content amplification strategies.
Create and update media partners database.
